In 2013, he continued working in New York City, with the Inside Out Project in Times Square, which challenged advertising with a massive work of art consisting of thousands of portraits of locals and tourists. This prize brought him and his work to New York City where he opened another studio, and inspired pastings in the area such as those done in 2011 of members of the Lakota Native American Tribe from North Dakota. He used the $100,000 award money to start the Inside Out Project, a global art initiative that has allowed thousands of people around the world to speak to their communities through portraits pasted in public space. On 20 October 2010, JR won the TED Prize for 2011. In 2008, JR undertook an international tour for Women Are Heroes, a project in which he highlights the dignity of women who are often targets during conflicts. For the artist, this artistic act is first and foremost a human project: "The heroes of the project are all those who, on both sides of the wall, allowed me to paste the portraits on their houses." Upon his return to Paris, he pasted these portraits up in the capital. In 2007, with Marco, JR put up enormous photos of Israelis and Palestinians face to face in eight Palestinian and Israeli cities on either side of the Separation Barrier. At the beginning of his projects, JR wanted to bring art into the street: "In the street, we reach people who never go to museums." In 2005, JR began pasting photographs of individuals from Les Bosquets on the walls of Paris to rectify the unbalanced coverage and representation of the people in the epicentre of the French riots that year. This illegal project became official when the City of Paris put JR's photos up on buildings. After observing the people he met and listening to their message, JR pasted their portraits up in the streets and basements and on the roof tops of Paris.īetween 20, JR created Portraits of a Generation, portraits of young people from the housing projects around Paris that he exhibited in huge format. Then, he began wondering about the vertical limits, the walls and the façades that structure cities. JR later travelled throughout Europe to meet other people whose mode of artistic expression involved the use of outdoor walls. ![]() At the age of 17, he began applying photocopies of these photographs to outdoor walls, creating illegal 'sidewalk gallery exhibitions'. ![]() After finding a camera in the Paris Metro, JR and his friends began to document the act of his graffiti painting. His graffiti efforts often targeted precarious places like rooftops and subway trains, and he enjoyed the adventure of going to and painting in these spaces. JR began his career as a teenage graffiti artist who was by his own admission not interested in changing the world, but in making his mark on public space and society. Ī mural from JR's "Unframed" installation at Ellis Island Hospital JR was included in Time magazine's 100 Most Influential People of 2018. He used the $100,000 award money to start the Inside Out Project. He has been introduced by Fabrice Bousteau as: "the one we already call the Cartier-Bresson of the 21st century". JR's work combines art and action, and deals with commitment, freedom, identity and limits. JR's work "often challenges widely held preconceptions and the reductive images propagated by advertising and the media." ![]() He states that the street is "the largest art gallery in the world." He started out on the streets of Paris. ĭescribing himself as a photograffeur (a portmanteau of "photographer" and " graffeur"-French for " graffiti artist"), he flyposts large black-and-white photographic images in public locations. ![]() JR stands for the initials of JR's first name, which is Jean-René. JR ( French pronunciation: born 22 February 1983 ) is the pseudonym of a French photographer and street artist. Inside Out Project, Faces Places, " Women are Heroes", "Face 2 Face"
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